Nikopoli

Stylish buildings that blend harmoniously with the region were built on the banks of Lake Ziros between 1950 and 1955. The purpose was to create a Children’s City (Paidoupolis in Greek, also known as Ziropolis) to look after the orphaned children of the Second World War and the Greek Civil War, on the initiative of Queen Frederica. Stylish buildings that blend harmoniously with the region were built on the banks of Lake Ziros between 1950 and 1955. The purpose was to create a Children’s City (Paidoupolis in Greek, also known as Ziropolis) to look after the orphaned children of the Second World War and the Greek Civil War, on the initiative of Queen Frederica. Lake Ziros is an important and stunning natural attraction, which is relatively unknown to the public because it is not shown on tourist maps with a scale below 1:300,000. The buildings of Ziropolis were designed by Austrian architects in 1955. The lake is approximately 1000 m long and 500 m wide and has an elliptical shape. It has a depth of over 25 m at its deepest point. Until 1965, when it was almost destroyed by an earthquake, Ziropolis was an important educational, cultural and economic centre in the region. http://www.visit-preveza.com/el/ziros

Sarakiniko Beach Milos: This beach is one of the most beautiful beaches of Milos and surely the most particular one. It is located along the coastal road east of Adamas, north-east of Milos. It is the most photographed spot of the island and is also considered as one of the most beautiful Greek beaches. Its particular landscape is very impressive and surely unforgettable: long horizontal rocks bent over the sea; those rocks are eroded by time and saltwater and have small and huge hollows all over them. The entire landscape formed by the volcanic rocks doesn't show any signs of vegetation and is coloured entirely in a bright white, which makes an interesting contrast with the deep blue and turquoise of the surrounding waters. This amazing scenery gives one the impression of standing on the surface of the moon. https://www.greeka.com/cyclades/milos/beaches/sarakiniko/

The traditional Ioannina desserts are famous throughout Greece. The famous ‘sker bourek’, or ‘sugar pie’, the exceptionally delicious baklava and the other syrup pastries are but a few of the flavours that are certain to captivate visitors. http://www.visitgreece.gr/en/main_cities/ioannina

The routes around the lake offer exquisite scenery and plenty to explore. A tour by car is an experience to suit all kinds of traveller - there is much to see, much to learn about, and there is the serene calming effect of the lake http://www.visitgreece.gr/en/main_cities/ioannina

The imposing castle of Ioannina was built in 528 AD by the Emperor Justinian, and was an ambitious expression of the might of the Byzantine Empire. It is the oldest Byzantine fortress in Greece with significant influence over the history of the town which grew around it. http://www.visitgreece.gr/en/main_cities/ioannina

The Monastery of Zermbitsa is located in a prominent location atop a hill of Mt Taygetos. This setting gives visitors to the monastery a rare treat because from here you can behold the splendor of the magnificent Evrotas River valley. Looking westward, we see the highest peak of our proud and majestic Mt. Taygetos. http://www.exploresparta.gr/tourism/en/monastery-of-zermbitsa/

The ancient city of Aiane was the most important of the kingdom of Elimeia. From the finds here, archaeologists have concluded that it was home to quite an advanced civilisation, on a par with the Mycenaeans. http://www.discovergreece.com/en/mainland/macedonia/kozani

You will absolutely fall in love with the byzantine churches and the beautiful mansions, which are typical examples of Macedonian architecture. http://www.visitgreece.gr/en/main_cities/kastoria

The Byzantine Art Museum (in Dexameni square), where artifacts from the Byzantine period are showcased; over 700 well preserved byzantine sculptures, murals, paintings and icons from temples from around the city. http://www.visitgreece.gr/en/main_cities/kastoria

The best way to explore the city is taking a little tour around the lake starting from the southernmost side up to the northernmost. Take a stroll on the narrow pathway along the lake’s coast; you will be overwhelmed by its idyllic beauty and tranquility. http://www.visitgreece.gr/en/main_cities/kastoria

The church of Agios Nikolaos with its attractive belfry and carved birdhouses, the traditional meeting point for the town’s inhabitants. http://www.discovergreece.com/en/mainland/macedonia/kozani

Set amidst lush verdure where the River Crn Drim tumbles into the lake, the monastery of St. Naum is a refuge of tranquillity at the very southwestern corner of the Macedonian Republic. Situated 29 km (18 m) from the town of Ohrid and only 1 kilometre (0.6 m) from the Albanian border, the monastery brings the Macedonian experience to a dramatic culmination. As with most Byzantine churches, St. Naum was chosen primarily for its location – on a high, rocky outcropping over the lake, above deep forests and life-giving springs of the river Crn Drim. The monastic complex and church of St. Naum was built originally at the turn of the tenth century by the monk that bore the same name; Macedonians believe you can still hear the saint’s heartbeat by pressing an ear to his stone coffin inside the church. The monastery has been renewed and enlarged several times over the centuries. While most of its iconostases and frescoes date from the 16th and 17th century, earlier etchings in the Byzantine Greek vernacular also remain. But numerous orthographical mistakes indicate that they were written by Slavic-speaking local monks. Other inscriptions in the church make up some of the oldest epigraphic evidence of Slavic literacy. The icons of St. Naum are some of the best religious painting achievements in the Balkans. They date from the first half of the 18th century. The wood-carved iconostasis itself was made in 1711 by an unknown artisan. A peculiar element of St. Naum is located not on the inside of the church but on the outside: the preponderance of multi-coloured peacocks strutting around and luxuriating in the grass. http://www.exploringmacedonia.com/monastery-st-naum.nspx

Ohrid was enriched with another cultural and historical landmark as well as with a tourist attraction - Museum on Water - an exceptional archaeological complex, which is one of a kind in the region. On the southern coast of Gradiste Peninsula in the Bay of Bones, a pile-dwelling settlement has been erected, which in the past was spreading at a total surface of 8.500 m2. Bay of the Bones is an authentic reconstruction of a part of the pile-dwelling settlement, dating back between 1200 and 700 BC.A Roman military fortification (Gradiste) has been reconstructed on the hill above the Bay of Bones simultaneously with constructing the pile-dwelling settlement and the Water Museum. The walls of the fortification that once had protected the Roman Empire from its enemies, are once again lifted up on the hill near Gradiste. The Roman fortress is connected with the settlement in order tourists and visitors to be given an extraordinary opportunity to experience time travel, from prehistoric to ancient times and vice versa. http://www.exploringmacedonia.com/bay-of-bones.nspx

Koukounaries beach is the most famous beach of Skiathos, therefore the most crowded. It is well-known for its extremely fine white sand and its fragrant pine trees forest from which the region took its name. It is considered as the most unspoiled natural beach of the Mediterranean and is a protected environment. The beautiful crystal-clear deep blue waters are a real pleasure. Since the beach is well-organized, it offers many water sports, chairs, umbrellas, beach bars. The region around the beach is full of restaurants, taverns and hotel units. A local bus links this beach to the capital every 30 minutes. A biotope can be found in the pine forest boarding the beach where different species of plants and birds are protected. This place, as well as the beach, is developed for ecotourism, financed by the Municipality and the European Union. https://www.greeka.com/sporades/skiathos/beaches/koukounaries/

One of the most magnificent churches in all of Macedonia stands right above a small fishing settlement, on a cliff rising up from Lake Ohrid; St. Jovan Kaneo is a combination of Byzantine and Armenian architectural styles. Built in the honour of St. John the Theologian, St. Kaneo with its sublime atmosphere and views of the placid lake below, remains an inspiring place for spiritual contemplation. The church which was consecrated at the end of the 13th century was built on a rectangular stone base. Its exterior is decorated with ceramic decorative sculptures and stone carvings. Though the fresco painters are unknown, the fragments that have been preserved are of exceptional quality; the Communion of the Apostles and the portraits of St. Clement, St. Erasmus and Constantine Kavasilas especially stand out. Being as it is - an extraordinarily unique construction - St. Kaneo is indeed one of the most beautiful churches in Macedonia as well as in the whole Balkan region. http://www.exploringmacedonia.com/church-st-jovan-kaneo.nspx

The church of St. Sofia is one of the largest medieval churches on this territory. For a long time, it was the cathedral church ("Great Church") of the Ohrid Archiepiscopate whose ecclesiastical authority covered the territories up to the river Danube to the north, the Albanian coast to the west, and the Bay of Thessalonica to the east. The church was probably used as a cathedral way back in the past, in the period of the Car Samuel who, in the late X century, moved his throne from Prespa to Ohrid. The other assumption is that there used to be another church on the same site during the reign of the Macedonian Czar Samuel and that later on this church was ruined for unknown reasons. The date of the construction of that church is uncertain because there are no inscriptions that help reveal it. It is also mentioned that today's church was either built or restored during the period of the Archbishop Leo who was on the throne of the Church in the period between 1035-1056. His esteemed ecclesiastical principle became a donor of the painting decorations in the church of St. Sofia. The original church had only one main dome. In the XIV century, an opulent external narthex was constructed. Its original shape was a three-naval basilica with a transept, a dome, and galleries on the side naves. It had a parvis and separate chapels above the northern and southern altar sections even in XI century. Almost three centuries later, during the period of the Archbishop Gregorius, a new parvis was built. It represents the climax of the Macedonian XIV-century culture. The concept of the extended parvis was horizontal, with a portico on the ground, and galleries on the first floor. Above the Gregorious Gallery, on the northern and southern sides, there were separate sections with towers. With the arrival of the Turks, the church St. Sofia was converted into a mosque. They "took care" to reshape the church almost entirely so that it could serve the Muslim religion. The frescoes were whitewashed, the ornamented plates from the iconostasis were used for constructing the internal staircase, and a minaret was built above the northwest dome. These undertakings distorted the structure of the entire church. In the period from 1950 to 1957 extensive conservatory and restoration activities were performed. The frescoes were cleaned and conserved, and also some reconstruction work was done. The fresco paintings in the church are amongst the highest achievements in medieval painting in Macedonia and even wider. At that time Ohrid was under the direct authority of the Constantinople Patriarchate, so these are the most important preserved works of Byzantine monumental painting. The donor of the fresco paintings, one of the most learned men of the time, Archbishop Leo, directly influenced the selection of the compositions painted in the XI century. http://www.exploringmacedonia.com/church-st-sophia.nspx

The builders of Ohrid’s ancient theater have estimated very precisely where to put the building - in the center of the elevated old town. The open theater holds a perfect location, as the two hills (Gorni Saraj and Deboj) keep it protected from winds that could interfere with acoustics during performances. The Ancient theatre of Ohrid of the Hellenistic period was built in 200 BC and is the only Hellenistic-type theatre in the country as the other three in Scupi, Stobi and Heraclea Lyncestis are from Roman times. It is unclear how many people the original theatre used to seat, as only the lower section still exists. During Roman times, the theater was also used for gladiator fights. However, since the theater was also a site of executions of Christians by the Romans, it rapidly turned to a highly disliked site by the locals. In fact, as a result of this dislike, the theatre was abandoned and buried by the locals after the demise of the Roman Empire. Discovered accidentally and later excavated completely, this 4, 000 square meter monument to antique Greco-Roman culture is being used today during the annual Ohrid Summer Festival for performances of ancient tragedies and comedies. The Theatre offers a wonderful view of Lake Ohrid and Mt. Galichica to the southeast. http://www.exploringmacedonia.com/ancient-theater.nspx

Panagia Eikonistria is the most holy site of the island since the miraculous icon of Virgin Mary (Panagia) was found here around 1650. An important intellectual figure of the island and of the Church, Dionysios the Old, was a monk in this monastery. http://www.skiathos.gr/en/aboutskiathos/churches/panagia-eikonistria.html

Housed in a mid 19th century edifice on the corner of Papazoglou and Benaki streets, the museum features a solid collection of photographs, maps, models and more that help the visitor grasp different aspects of ancient history and culture in the area. http://www.ecotourism-greece.com/tourism/activity/museums-greece/messinia

One of the historical Site in the city if Thessaloniki which form the center of city and has ancient Value attach to it. http://www.visitgreece.gr/en/main_cities/thessaloniki

The Panaghia (Virgin) Chalkeon (1028), Hosios David (12th century), St Panteleemon (late 13th or the early 14th century), is of four-columned cross-in-square type, Ayioi Apostoloi (1310-1314),Taxiarches (14th century), Panagouda a three-aisled basilica with significant icons, Agios Ioannis Prodromos (Nymphaion),Vlatadon monastery a 14th century foundation of which only the katholikon and two cisterns within the precinct survive, Ayios Demetrios a splendid basilica dedicated to the patron saint and protector of the city, etc. http://www.visitgreece.gr/en/main_cities/thessaloniki

The Mynicipal Unit of Mystras includes the former communities of Agia Irene, Agios Ioannis, Anavriti, Loggastra, Magoula, Mystras, Paroreio, Soustianoi and Tripi. Nestled in Mount Taygetos and its lowlands, the municipal unit of Mystras offers both relaxation and recreation to visitors all year long. Anavriti also serves as a base for ascents to the summit. Hiking paths and trails include the European E4 trail ascending to the Mountain Refuge, as well as paths to Mystras, Agios Ioannis and Taygeti. From the village of Parori, a 15-minute trek along a path leads to Our Lady Langadiotissa, a marvellous church tucked in a cave, and to the Monastery of Fan¬eromeni. Starting at Mystras, an inviting trail leads to Pikoulianika and Taygeti, as well as Agios loannis of Vouvalon in modern-day Mystras (only 10 minutes from the town square). A visit to the Kaiadas chasm is essential, as is a stroll around the enchanting gardens of the Sainopouleio Amphitheatre, where the construction of a new athletic center is about to break ground. A tour of the springs in Tripi, ie Karvasara, Vasiloneri and the Knakiona springs at the Monastery of Agios Giannakis, is an exceptional experience. The Langada Climbing Park is also worth a visit for the crag climbing adventurer. Other worthwhile sites include the Byzantine bridge of Agios Sostis and the 4 water mills in the village of Agia Irene, the Byzantine churches of the Taxiarches (the Archangels), Our Lady the Virgin and St. Nicholas in Loggastra and finally, in Soustianoi, the Gorge of the Fairy, the Koumoundouros caves and the magnificent church of St. Nicholas. https://www.exploresparta.gr/tourism/en/mystras-sparti/

The byzantine bathhouse is a late thirteenth century building in the city of Thessaloniki. http://www.visitgreece.gr/en/main_cities/thessaloniki

Findings at this archaeological site were unearthed by the pioneer excavations of the British School of Archaeology starting in 1910. Excavations resumed in the early 1990s, primarily in the areas of the ancient theatre and the merchant stalls. The most significant monuments of this archaeological site include: The Temple of Athena Chalkioikos whose position has been defined by few surviving relics found at the northwest end of the Acropolis. The temple, designed by the architect Vathyklis from Magnesia, had an interior design adorned with copper sheets (dated 6th century BC onwards) to which it owes its name (chalkioikos = copper). From the inscription by Damononos (dated before 430 BC), it seems it was called Temple of Athena Poliouchos (Guardian of the City). Pausanias adds that the temple was left unfinished until Gitiada, a local craftsman, built both the statue of the goddess and completed the temple. The temple also served as a place of refuge for Lycurgus, Pausanias and Agis IV. The ancient theater of Sparta on the south side of the Acropolis is a product of the early Imperial Period. The orchestra, the retaining wall with engraved inscriptions of the rulers of Sparta in Roman times and the concave portion of the large theatre has been preserved. The concave of the theatre was dug into the southwest end of the Acropolis. The retaining wall of the concave is marble and its east side was engraved in the 2nd century AD with various inscriptions. The theatre was used primarily for public gatherings and celebrations. It had no permanent stage. For theatre performances, a wooden, mobile stage equipped with wheels was easily moved into position. Nearly all the findings of the ancient theatre that were discovered by the British School of Archaeology date back to the Roman Era. https://www.exploresparta.gr/tourism/en/the-acropolis-of-sparta/

The Sanctuary of Artemis Orthia was built near the banks of the Evrotas River, near the ancient town of Limnon. It was one of the most significant sanctuaries of the Spartan cult and was associated with the education of young Spartans. Early on, the deity worshipped was referred to as Orthias who was considered the goddess of salvation and fertility, as well as the protector of vegetation. Later on, the cult was linked to that of Artemis and the temple became a center of religious education for young people. During the Imperial Period, it served as the site of bloody spectacles performed in accordance to the customs of the time. The temple was excavated by the British Archaeological School of Athens (1906-1910). We can now distinguish three sections: (1) a great Roman structure (during the Imperial Period, the shrine of Orthias had taken the form of a circular amphitheatre where the temple held the position of the stage), (2) the remains of an altar in the center of the site and (3) a section of the temple to the west. The temple was built with rough stones in the 6th century BC. The presence of the impressive amphitheatre indicates that people gathered there to observe rituals performed in honour of Artemis Orthia. From the numerous inscriptions found at the temple, it seems that the goddess was associated with the education of Spartan children under the age of 13. Below this temple, a smaller, older temple has been discovered which probably dates back to the 9th century BC. https://www.exploresparta.gr/tourism/en/the-sanctuary-of-artemis-orthia/

Leonidas I, the legendary King of Sparta, is best remembered for his heroic last stand at the Battle of Thermopylae in 480 B.C. Leading a small force of 300 Spartans and their allies against the vast Persian army of King Xerxes, Leonidas became a symbol of courage, sacrifice, and unwavering dedication to duty. His leadership and defiance in the face of overwhelming odds immortalized him as one of the greatest warriors in history.North of modern Sparta, an impressive ancient structure stands as a testament to his legacy. Built in the 5th century B.C. from massive limestone blocks, this edifice, known as the Leonidaion, is believed to be the tomb of Leonidas. Initially discovered by archaeologist Waldstein in 1892, the site was originally thought to be a small temple due to its grand architectural design. However, according to the ancient historian Pausanias, the remains of Leonidas were later transferred here after the battle, reinforcing its significance as a monument to the Spartan king. The tomb itself is a remarkable structure, measuring 12.5 by 8.3 meters, with a temple-like appearance. Its interior consists of two connected chambers, one of which served as a vestibule adorned with columns. Although some scholars argue that it may have been a cenotaph or a temple dedicated to Apollo Karneios, local tradition firmly holds that this is indeed the final resting place of Leonidas. Beyond its architectural intrigue, the Tomb of Leonidas holds deep cultural importance. In ancient times, it was the focal point of annual commemorative games, where Spartans honored their fallen king with athletic and martial competitions. Even today, Leonidas' legacy endures, inspiring not only historians and scholars but also visitors who come to admire this ancient monument.For those exploring Sparta, the tomb remains a must-visit site, offering a glimpse into the life and heroism of one of history’s most revered warriors. The structure stands as a powerful symbol of Spartan values—strength, honor, and resilience—that continue to captivate the imagination of people around the world.

Today, the Archaeological Museum of Sparta hosts thousands of finds from the province of Lacedaemon, but also from areas of the prefecture of Laconia that are not covered by the Archaeological Collections of Gythio and Neapoli Vion. In its rooms are exhibited findings that cover the time period from the Neolithic to the late Roman era. The most important place is occupied by the findings of the great sanctuaries of Sparta. The visitor of the museum has the opportunity to admire findings from the most important prehistoric sites of Laconia, sculpture works from the Archaic years to the Roman, coming from various areas of the prefecture, as well as findings from the rescue excavations among which have a prominent place, the sections of mosaic floors of Roman times from Sparta. Today, in the seven rooms of the museum (about 500 sq.m.) only a small part is exhibited, part of the numerous finds housed in it and which continue to come to light daily from the excavations of the Ephorate of Prehistoric and Classical Antiquities in the area. of Sparta but also in other areas of Laconia. Due to lack of space, only a small part of the findings kept in it, the most interesting for the scientific community or the ordinary visitor, have been included in its report. The Archaeological Museum of Sparta belongs to the 5th Ephorate of Prehistoric and Classical Antiquities. http://odysseus.culture.gr/h/1/gh151.jsp?obj_id=3305

The Archaeological Museum: its exhibits cover a tremendously long period (Neolithic to late Roman age). http://www.visitgreece.gr/en/main_cities/sparta

The Museum of the Olive and Greek Olive Oil in Sparta showcases the culture and technology surrounding the olive and olive oil production, a field which is inextricably linked to Greek, and in general, Mediterranean identity. Unique in Greece, the Museum is located in the heart of Lakonia, one of the leading olive producing regions in our country. http://www.exploresparta.gr/tourism/en/museum-of-the-olive-and-greek-olive-oil/

The Church of Santa Maria delle Grazie, is a interesting frescoes and works sculpted in wood. http://www.italia.it/en/discover-italy/apulia/lecce.html

Piazza Sant'Oronzo narrates the city's entire history. The Roman period is visible in the ruins of the Amphitheatre that becomes the exceptional stage for theatrical performances in summertime, and in part by the high Column - on which stands a bronze of St. Orontius, depicted in the act of blessing - erected in the 17th Century utilizing some of the Roman columns positioned on the Ancient Appian Way. http://www.italia.it/en/discover-italy/apulia/lecce.html

A visit to Lecce can begin with Piazza Duomo, once used as a fortress and today considered the most elegant "salon" in the city. T http://www.italia.it/en/discover-italy/apulia/lecce.html

It is absolutely an important tourist attraction. As a symbol of a notorious communism, it resisted some attempts to be destroyed by previous governments. But it is still there, unrestored, a symbol of the mixed and contradictory history of Tirana. It was inaugurated on October 14, 1988, as the mausoleum of the dictator, Enver Hoxha. The pyramid form was designed by a group of architects led by the daughter and son-in-law of the dictator. Construction began in 1986 and ended in 1988. It did indeed serve as a mausoleum for Hoxha, until 1991, after which it became a conference and fair centre. http://www.visit-tirana.com/things-to-do/attractions/21/the-pyramid

Tirana’s Resurrection of Christ Orthodox Cathedral is not just a Cathedral. It is the third-largest such structure in the Balkans and is located close to the centre of Tirana. The construction of the building, south-west of Tirana Centre Plaza, was completed in 2012. The cathedral complex comprises the cathedral itself, the chapel of the Nativity, bell tower, the residence of the Holy Synod, cultural centre, a library, two other chapels and a small museum. The cathedral's dome reaches 32.2 metres above ground, with the bell tower reaching 46 metres. Following its construction the cathedral has become a major tourism attraction in Tirana http://www.visit-tirana.com/things-to-do/attractions/22/resurrection-of-christ-orthodox-cathedral-of-tirana