Architecture, Sarajevo

The Museum of Modern Art Dubrovnik was founded in 1945. The building now occupied by the Museum of Modern Art Dubrovnik was originally conceived and built (1935 – ­1939) as the showcase residential mansion of Dubrovnik ship owner Božo Banac, and in 1948 it was converted into exhibition premises and museum. It was designed by the well­known Croatian architects Lavoslav Horvat and Harold Bilinić in the neo­Renaissance­cum­Gothic style, along the lines of masterpieces of Dubrovnik urban and villa Renaissance architecture (the Rector’s Palace, the Divona/Sponza, the Sorkočević Villa and so on). Through the conversion works, nine exhibition rooms were created, along with two storerooms and some smaller working areas. Together with the large terraces looking on to the sea and its garden, the Museum has 900 square metres of indoor and over 1100 square metres of outdoor exhibition space. https://www.godubrovnik.guide/dubrovnikthingstodo/museum-modern-art/

The Walls of Dubrovnik (Croatian: Dubrovačke gradske zidine) are a series of defensive stone walls that have surrounded and protected the citizens of the afterward proclaimed maritime city-state of Dubrovnik (Ragusa), situated in southern Croatia, since the city’s founding prior to the 7th century as a Byzantium castrum on a rocky island named Laus (Ragusia or Lave). With numerous additions and modifications throughout their history, they have been considered to be amongst the great fortification systems of the Middle Ages, as they were never breached by a hostile army during this time period.[2] In 1979, the old city of Dubrovnik, which includes a substantial portion of the old walls of Dubrovnik, joined the UNESCO list of World Heritage Sites. The oldest systems of fortifications around the town were likely wooden palisades. Today’s intact city walls, constructed mainly during the 12th–17th centuries, mostly a double line, have long been a source of pride for Dubrovnik. The walls run an uninterrupted course of approximately 1,940 metres (6,360 ft) in length, encircling most of the old city, and reach a maximum height of about 25 metres (82 ft). The bulk of the existing walls and fortifications were constructed during the 14th and 15th centuries but were continually extended and strengthened up until the 17th century. https://www.godubrovnik.guide/dubrovnikthingstodo/ancient-city-walls/

The Franciscan Church and Monastery is a large complex belonging to the Order of the Friars Minor. It consists of a monastery, a church, a library and a pharmacy. It is situated at the Placa, the main street of Dubrovnik, Croatia. Church and bell tower of the Franciscan church The earliest monastery was built in the 13th century outside the walls. A new monastery inside the walls and close to the Pile Gate, was built in 1317, but its construction took centuries. Parts of the complex were rebuilt several times. The church was destroyed by the earthquake of 1667. Amongst the losses was a statue by Pietro di Martino da Milano. The only element remaining is the decorated portal overlooking the beginning of the Placa, the main street of Dubrovnik. It was sculpted in 1498 in Gothic style by the workshop of the brothers Leonard and Petar Petroviċ. The almost life-sized Pietà in the central lunette, decorated with flamboyant leaves, is flanked by the figures of St. Jerome (holding a model of the pre-earthquake church) and St. John the Baptist. On top of the lunette stands the figure of the Father Creator. The interior of the church was reconstructed in Baroque style with a single nave. The marble pulpit survived the earthquake of 1667. The main altar with the statue of the resurrected Christ between four twisted marble columns was created by the sculptor Celia from Ancona in 1713. The five side altars were sculpted by the Venetian Giuseppe Sardi between 1684 and 1696. The decorations on the altar of St. Francis were painted in 1888 by the painter Celestin Medovic. The poet Ivan Gundulić is buried in this church. The monastery was built in 1360 in late Romanesque style by the master Mihoje Brajkov of Bar. https://www.godubrovnik.guide/dubrovnikthingstodo/franciscan-church-and-monastery/

The Sponza Palace (Croatian: Palača Sponza), also called Divona (from dogana, customs), is a 16th­century palace in Dubrovnik, Croatia. Its name is derived from the Latin word “spongia”, the spot where rainwater was collected. The rectangular building with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters. The palace has served a variety of public functions, including as a customs office and bonded warehouse, mint, armoury, treasury, bank and school. It became the cultural center of the Republic of Ragusa with the establishment of the Academia dei Concordi, a literary academy, in the 16th century. It survived the 1667 earthquake without damage. The palace’s atrium served as a trading center and business meeting place. An inscription on an arch testifies to this public function: https://www.godubrovnik.guide/dubrovnikthingstodo/sponza-palace/

The origins of the Museum go back to 1872, when the Patriotic Museum was founded, for in its holdings it had a smallish collection of artworks of a cultural history character. More systematic collection of material began after World War II, thanks to the urging of the curator and first manager of the cultural history department, Dr Božo Glavić, to whom goes the credit for moving the collection into the Rector’s Palace and setting up the first in situ display, opened to the public in 1950. During the course of time, the collection turned into first a distinct department of the Dubrovnik Museum, and then into the Cultural History Museum, a component of Dubrovnik Museums. The holdings of the museum consist of material of distinctly cultural, historical and artistic value, with about ten thousand objects created over a time span from the end of the 15th to the beginning of the 20th century. It has been systematised into fifteen collections featuring painting, printmaking, furniture, textiles, ceramics, metals, icons, glass, photographs and photographic materials, miscellanea, documents, postcards, the writer Ivo Vojnović, old weaponry and numismatics. https://www.godubrovnik.guide/dubrovnikthingstodo/cultural-history-museum/

The Rector’s Palace (Croatian: Knežev dvor) is a palace in the city of Dubrovnik that used to serve as the seat of the Rector of the Republic of Ragusa between the 14th century and 1808. It was also the seat of the Minor Council and the state administration. Furthermore, it housed an armoury, the powder magazine, the watch house and a prison. The rector’s palace was built in the Gothic style, but it also has Renaissance and Baroque elements, harmoniously combining these elements. Originally it was a site of a defence building in the early Middle Ages. It was destroyed by a fire in 1435 and the town decided to build a new palace. The job was offered to the master-builder Onofrio della Cava of Naples, who had previously built the aqueduct. It became a Gothic building with ornaments sculpted by Pietro di Martino of Milan. A gunpowder explosion badly damaged the building in 1463. The renewal was offered to the architect Michelozzo of Florence. But he was rejected in 1464 because his plans went too much in the style of the Renaissance. Other builders continued the work. The capitals of the porch were reshaped in Renaissance style probably by Salvi di Michele of Florence. He continued the reconstruction from 1467 on. The building suffered damages from the earthquake of 1520 and again in 1667. Reconstruction was in Baroque style. A flight of stairs and a bell were added in the atrium. In 1638 the Senate erected a monument to Miho Pracat (by Pietro Giacometti of Recanati), a rich shipowner from Lopud, who had bequeathed his wealth to Dubrovnik. https://www.godubrovnik.guide/dubrovnikthingstodo/rectors-palace/

Fort Lovrijenac or St. Lawrence Fortress, often called “Dubrovnik’s Gibraltar”, is a fortress and theater located outside the western wall of the city of Dubrovnik in Croatia, 37 m above sea level. Famous for its plays and importance in resisting Venetian rule, it overshadows the two entrances to the city, from the sea and by land. Early in the 11th century the Venetians attempted to build a fort on the same spot where Fort Lovrijenac currently stands. If they had succeeded, they would have kept Dubrovnik under their power, but the people of the city beat them to it. The “Chronicles of Ragusa” reveal how the fort was built within just three months time and from then on constantly reconstructed. When the Venetian ships arrived, full of materials for the construction of the fort, they were told to return to Venice. The Croatian leg of the Red Bull Cliff Diving World Series takes place in Lovrijenac. https://www.godubrovnik.guide/dubrovnikthingstodo/fort-lovrijenac/

The Ethnographic Museum has its origins in the collection of traditional culture that began to be formed in the first decades of the twentieth century. Its holdings were very much enlarged with specimens of traditional attire and lace donated several times by that great benefactor of the museum, Jelka Miš (1875 -1956). In the course of time, the collection grew into the ethnological department of Dubrovnik Museum, and in 1950 opened its first display of original ethnographic folk handicrafts from the local area on the second floor of Fort St John. At the end of the eighties, the ethnographic department was relocated to the building of the Dubrovnik Republic’s granary, popularly known as Rupe/The Holes, which derives from the name for the underground grain storage areas carved out of bedrock or tufa. https://www.godubrovnik.guide/dubrovnikthingstodo/ethnographic-museum/

Kula Zakerjan (Zakerjan tower), is also named Berim Tower. It stands on the north of Korcula Town (see map below) in the Zakerjan area. The tower was built between 1481 and 1483 under the rule of Giovanni Mocenigo who was doge of Venice from 1478 to 1485. The tower is shaped like half-cylinder and has similar crenellation – the distinctive pattern that framed the top of the walls of this medieval tower. On the Northside of the tower, facing Peljesac Channel, there is Venetian coat of Arms of Governor Viaro and Doge Mocenigo. On the Southside, facing Korcula Town, above the arch, there is Tiepolo Coat of Arms. The tower was built by the workshop of Marko Andrijic, the local stonemason. Nowadays, Zakrjan Tower houses popular Massimo Bar that serves drinks on the top of the tower’s terrace. https://www.korculainfo.com/towers/zakerjan/

House of Marco Polo – believed to be house in which Marco Polo, the famous world traveller and writer was born. It’s recently bought by Korcula’s Town Authority which is currently planning to reconstruct and redone it into the Museum of Marco Polo… At present, just the part of the house is opened for visitors to have a look around. Climb narrow stairs and enter to the Loggia that has great views over Korcula Old town’s roofs. https://www.korculainfo.com/marcopolohouse/

St. Mark’s Cathedral is probably the most important building in the Korcula Old Town. It is built in Gothic-Renaissance style, completed in the 15th century at the place of other church from 13th century. It was built by local masters and craftsman of stone masonry, very well known in renaissance and baroque Dubrovnik and Venice. Most famous among them was stonemason Marko Andijic who completed the cathedral’s tower and cupola (1481) as well as elegant ciborium above the main altar. Cathedral’s facade is decorated with the truly beautiful fluted rose and various relief and statues (photos), while the main door – portal is framed by statues of Adam and Eve and figures of lions. Inside the Cathedral there are two Tintoretto’s paintings. This is the largest Church in the city, oriented east-west. Here on the highest point on the peninsula and central square was a smaller Church most likely consecrated to the Mother of God. https://www.korculainfo.com/st-marks-cathedral/

Arneri Palace in Korcula extends from the western edge of the Old Town to Trg Svetog Marka – the main Old Town square (also, known as Pjaca). Built in Venetian Gothic architecture by Arneri family, this elegantly ornamented palace dates from late sixteenth / early seventeenth century. Beside the artistically valuable courtyard (see above photos) the windows and the walls of the palace in the south street are decorated by intricate building and sculpting details. The palace, being among the most beautiful buildings in the town is a well-known town landmark. https://www.korculainfo.com/arneri-palace/

Bishop’s Treasury Museum is located in Bishops Palace in an elegant two-storey palace on Sveti Marko Square in Korcula Old Town. The museum is also called Abbey Treasury of St Mark (Opatska Riznica Svetog Marka). The ground floor covers parish office, library, archives and Kitchen exhibition hall. On the first floor, there are exhibits of Treasury hall, while the top floor covers residence of the parish priest. The museum exhibits numerous works of art including some paintings by Blaz Jurjev and Tiepolo. There are also old manuscripts with illuminated codex from the 12th century, alabaster sculptures from the 15th century as well as a statue of Mary Stuart from the 17th century. This is an interesting museum collection worth to visit if you are in Korcula. https://www.korculainfo.com/bishops-treasury/

Korcula Town Museum (Gradski muzej Korcula) is located at St Mark’s Square facing Cathedral Sveti Marko. The Museum is housed in Gabrielis palace that was built in 15th and 16th century. It is 3 storey building with basement and attic. Museum has various collections covering Korcula’s history and culture from Ancient history to nowadays. https://www.korculainfo.com/museums/korcula-museum/

Tower of All Saints, locally called Kula Svih Svetih is also called Capello tower or Rampada. It is built 1493, as part of 12 Korcula towers. It is located on the South-East part of Korcula Town walls, situated in Rampada street, Zakerjan area. Nowadays, the only basement is left of this tower. It is named after All Saints Church located in its near vicinity. https://www.korculainfo.com/towers/all-saints/

Vapor Art Gallery is lovely Korčula art space located in the very Sea Gate medieval Tower right next to Morska vrata town entrance. The gallery offers for sale large selection of major Croatian contemporary and modern artists including paintings by Stipe Nobilo, the local painter, Vasko Lipovac and others https://www.korculainfo.com/vapor-art-gallery/

Prehistoric town walls, numerous archaeological finds, several sarcophagi, reliefs and medieval graves are an evidence of the long history of the place and the lives of its people. Where there once stood Illyrian town walls from 1400 BC, later was a Roman mausoleum, then a Radojković Tower built for defensive purposes and today it is a museum of the island of Brač. The museum displays interesting exhibits from Kopačina cave, Roman tomb-stones, sea charts and diverse folk handicrafts from the entire island. This jewel of historical and cultural heritage has always been a very popular tourist destination. The long history and culture of the island of Brač is best seen in Škrip – the oldest settlement on the island. https://www.visitbrac.com/tours/the-museum-of-the-island-of-brac/BR-TR-146

On the steep cliffs of the gorge between Kozjak and Mosor stands the Klis fortress, with one eye facing the sea and another facing Zagora. It was built on an extraordinary strategic location that allows military and commercial control over the whole Klis valley and the area of Salona and Split. Because of its importance, Klis was often referred to as the key to Dalmatia and the heart of the medieval Croatian kingdom. The findings from the Krčina cave are the first traces of the settlement of the area around Klis fortress. It is ceramic pottery in which different forms are imprinted before the baking from which the name Impresso culture is derived, and it lasts from 6000 to 4500 BC on the Adriatic coast. Today we do not know much about the population of those times, but there is a possibility that there were first traces of agriculture in the Adriatic coast. The first population of this area we can accurately identify are the Dalmatians, one of the Illyrian tribes. They inhabited the area from the river Krka to the Neretva, among others the area along the river Jadro (today’s Solinčica beneath Klis). They raised their forts on natural elevations for easier protection from possible attackers. At the foot of Klis fortress, the remains of such settlement were found, and its role was control of the passage between Kozjak and Mosor. Together with the other nearby forts, the hill below Klis controlled access to Illyrian Salona and the mouth of the river Jadro. This role will take on all of the later buildings at this location. https://www.tvrdavaklis.com/povijest-tvrdave/?lang=en

Today's parish church, the Church of the Assumption was erected on the foundation of the early gothic church and was expanded and fortified in 1535. The church vestry preserved valuable liturgical vestments and several crosses of artistic value and the painting of "Mother of God and the torture of Fabian and Sebastian" of the Flemish-Venetian painter Pietera de Costera is especially valuable. 15th of August, the day of Vela Gospa (The fiesta of the Assumption) there is a fiesta in Jelsa when people from the surrounding places visit Jelsa. On the night of Good Thursday from Jelsa starts the procession Za Križem (Procession of the Cross) towards Pitve then further on towards Vrisnik, Svirče, Vrbanj and Vrboska. After a 22 km long journey, with the first rays of the morning sun, the procession returns to the parent church. This unique tradition which has been going on for 500 years is on a representative UNESCO list of non-material cultural heritage of the world. https://www.visit-hvar.com/tours/church-of-the-assumption-jelsa/HV-TR-125

One of the most significant monuments of the island of Hvar is definitely the Church – fort erected in 1571, after the Turkish attack on the location of an older church that originated in 1465. The church has the shape of a fort with an observation post and a loop-hole and from its top, there is a beautiful panoramic view of the surrounding places and fields. The church preserves valuable works of Stefan Celesti ('Lady of Mount Carmel'), Antonio Sciuri ('Mary's Childbirth'), Giuseppe Alabardi ('Resurrection' and 'Placing into the tomb') Marko Rašica ('Lady of Mount Carmel') and Celestin Medović ('Homage of the Three Kings'). https://www.visit-hvar.com/tours/church-fort-of-st-mary-vrboska/HV-TR-23

Jaksić Gallery is located in the family yard, surrounded by the workshops of each author. In it, you can find the paintings of doctor of art Dina Jaksic, jewellery made of semiprecious stones combined with silver designed by Ida Jaksic, stone sculptures of the sculptor Lovre Jaksic, while the interior and exterior of the gallery are work of stonemasonry workshop which is in the property of Drazen Jaksic. He is not only a master of the craft but also a designer with the idea. The gallery also contains a number of useful items made of Brač stone and stone furniture which is an attraction itself. https://www.visitbrac.com/tours/jaksic-gallery/BR-TR-162

Porta Orientalis is their Roman name. These gates were used to enter the palace from the east towards the west, through the main street, decumanus, all the way to the Iron Gate and to Pjaca, the central city square. The Silver Gate was more modest in its decorations than the Golden one, and it was closed from the Middle Ages till 1952, only to be thoroughly reconstructed during the destruction of the Baroque church Dušica. On each side of the gate, the remains of the octagonal towers are visible, hence making it easy to imagine the beauty of the construction and the strength of the control over the entrances from the north, east and west. Entering through those gates the passersby, even today, have the opportunity to walk the original ancient pavement on decumanus, walked also, so many years ago, by the Diocletian's subjects. Silver Gate has recently enriched its history with the greatest event for all the Split Catholics when in the year 2000 Pope John Paul II passed through them admiring the beauty of St Domniuses Cathedral where he later prayed. https://visitsplit.com/en/522/the-silver-gate

Porta septemtrionalis is their Roman name. Emperor Diocletian walked through them as he entered the Palace on the 1st of June 305. They were built in the shape of a rectangle, with double doors, as part of the defensive military tactics (propugnaculum). The facade was decorated with niches containing figure sculptures of the four tetrarchs (Diocletian, Maximian, Galerius and Constantius Chlorus). These doors, starting from Peristyle, and then through Cardo street, led directly towards Salona as the capital city of the Roman Province Dalmatia, and could only be used by the emperor and the members of his family. Today they are, together with the nearby monument to the Bishop Gregorius of Nin (Grgur Ninski), the work of a great Croatian sculptor Ivan Meštrović, one of the favourite Split tourist spots. Under the influence of Venice, in the 16th century, the gates change their name to Porta Aurea or Golden Gates, and this name stayed with them to this day. https://visitsplit.com/en/521/the-golden-gate

Diocletian Palace is one of the best preserved monuments of the Roman architecture in the world. The Emperor's Palace was built as a combination of a luxury villa - summer house and a Roman military camp (castrum), divided into four parts with two main streets. http://visitsplit.com/en/448/diocletian-palace

Their original, Roman name was PORTA OCCIDENTALIS, and they are one of the four through which life flowed during all 17 centuries of the history of Split. From the very first day that they were opened, they continued to witness all the changes the city went through from the Roman times, through the middle ages till today, all the power and influences, only to welcome, even to this day, with the bells of the Renaissance clock, the city of Split with its citizens. A relief of Nika, the Roman Goddess of Victory stood on the lintel, but already in the fifth century, the Christians carved a cross in its place as their symbol. In the eleventh century, a small church of our Lady of the Belfry, was built above the door, originally dedicated to St Theodor, with beautiful early Romanesque bell tower. In the Middle Ages the area inside the gate was used as a courthouse, and until about fifty years ago an empire of small shops found its place there. These entire history dynamics is present to this day, with housing construction in the very walls of the gate, bell tower, part of the Roman guard's pathway with a wonderful view of the decumanus and the People's Square (Narodni trg), and also city clock which is of special interest as it has 24 digits instead of the usual 12. By the very door, one of the most beautiful Palaces of the late Split noblemen found its place, belonging to the family Cypriani Benedetti, decorated by two unique six-arch windows. https://visitsplit.com/en/523/the-iron-gate

The Riva started to look the way it does today two centuries ago, when the French, in time of Napoleon ruled these parts through Marshal Marmont. Today this promenade is the cities living room, the most popular and most important public place in Split. In the meantime, it has been widened and reconstructed several times, but it was always blessed with the most spectacular setting, the south facade of the Diocletian Palace, with the entrance into the Substructures, and later on with the buildings that were built west of the Palace, also the Franciscan monastery with the church of St. Francis, and the Bajamonti Dešković Palace and last but not least the Port Authorities building on the east end. Riva today is pedestrian heaven, thrusting with Cafés and restaurants, an ideal place for having your morning or afternoon coffee, or for an evening out with friends over drinks. Riva is the stage of the city life of Split, a venue for numerous cultural and entertainment events, boisterous Split carnival, as well as the stage for meeting Split sportsmen after countless successes, such as Goran Ivanišević, Hajduk football club players and Jugoplastika basketball players, Olimpic medal winners... Riva is also a political forum, with decades of political opportunities being depicted through mass rallies. Naturally, Riva is always at its best in time of Sudamja, a celebration dedicated to St. Domnius, the patron saint of Split. https://visitsplit.com/en/512/the-riva

The Church and the Monastery of St Francis, located on the Western part of the Riva, were built on the old early Christian site, by the grave and a small Church of St Felix, martyr from the time of Diocletian. In the 13th century, the Little brothers of St Francis inhabit the Church. From the Churche's artwork, the most valuable is the Gothic Crucifix painting by Blaž Juraj of Trogir from the beginning of the 15th century, and the sarcophagus depicting the Crossing over the Red sea, part of the sacral artwork from the Roman times. Next to the Church is a Franciscan monastery with a 13th-century cloister and an opulent library with over 3000 books, among which even some from 16th century. In the Church and the Monastery are tombs of prominent citizens of Split, like the father of Croatian literature Marko Marulić and one of the greatest Croatian politicians Ante Trumbić whose sarcophagus is the work of Ivan Meštrović. https://visitsplit.com/en/1239/church-and-monastery-of-st-francis

Tvrdalj was built as a fort for defence from the Turks by the renowned poet from Hvar Petar Hektorović. It was erected by filling up the sea and one could enter it only over a bascule bridge. In the centre of Tvrdalj, Hektorović designed and built a Romanic park with a fishpond. Tvrdalj has numerous stone inscriptions, but the one saying 'Omnium Conditori' is the most significant one, since, with it, Hektorović dedicated his Tvrdalj to God, the Creator of everything. https://www.visit-hvar.com/tours/tvrdalj-stari-grad/HV-TR-24

In the 19th century during the period of sailboats Stari Grad marked the development of the shipping industry and naval construction. There is a rich naval collection preserved in Palace Biankini in Stari Grad. The collection was founded by the Centre for the Preservation of Cultural Heritage of the island of Hvar in 1966 and besides documentation on naval construction; it also displays various nautical instruments, paintings of Hvar captains, old nautical charts and literature on navigation. https://www.visit-hvar.com/tours/palace-biankini-and-naval-collection/HV-TR-38

If you walk from the square to the north, passing the main city gate or Porta di datallo (Gate of Dates) ascending the stairs through the old part of the city in which there are palaces built in the 15th and 16th centuries, through small bends that give out the aromas of Mediterranean plants, you will reach Hvar's fort Fortica or how the locals call it Španjola. It was built at the beginning of the 16th century (during the Venetian rule) and was reconstructed in 1579. Today the fort holds a collection of amphora and other exhibits from antiquity and the Middle Ages. Besides experiencing its exquisite architecture, you will experience an unforgettable panoramic view of the city of Hvar, its surroundings and the Pakleni islands. https://www.visit-hvar.com/tours/the-fort-fortica-spanjola/HV-TR-27

If you visit Hvar, all the streets will lead you to Hvarska pjaca (Hvar's square), the centre of the city's public and social life and the largest square in Dalmatia. The eastern side of the square is surrounded by the Cathedral of St. Stephen that was built on the foundations of an early-Christian church from the 6th century and that acquired its present appearance in the 16th and 17thcentury. The Cathedral is dedicated to St. Stephen, a pope and martyr, the protector of the Diocese and the city of Hvar. The renaissance bell-tower of the Cathedral and Hvar's other bell towers (St. Mark, Franciscan and the ruined one of St. Venerande) are considered to be the nicest ones in Dalmatia. Hvar's Cathedral preserves many valuable items and paintings of famous painters like Stefano Celesti, Palma Junior and the Spanish painter Juan Boschettus, but the most renowned painting is definitely Madonna, an example of the proto-Venetian art and one of the oldest in Dalmatia originating back in 1220. In the Episcopal Palace standing next to the Cathedral, a collection of objects of art, sacred vessels, archival documents, old books and liturgical vestments was founded in 1963. http://www.visit-hvar.com/tours/square-of-st-stephen-cathedral-of-st-stephen/HV-TR-37

An easy stroll from Hvar's square, along the sea and the waterfront soon brings you to the Franciscan monastery. Within the peace and quiet of the monastery walls, you can enjoy a rich display of museum exhibits (collections of Greek, Roman and Venetian coins, liturgical items, atlas of the ancient cartographer Ptolemaeus, rare exhibits of amphora, etc.), as well as paintings of Venetian artists like Francesco Santacroce and Palma Junior. The monastery is known for its magnificent painting of the Last Supper (2 x 8 m) which leaves everyone breathless. Some critics believe it is the work of a painter from Ravenna Matteo Ingoli, whilst others think that the painting belongs to the school of Palma Junior. One more rarity that makes the monastery famous is the 300-year old cypress that is located in the garden of the monastery. https://www.visit-hvar.com/tours/franciscan-monastery-hvar/HV-TR-28

Father and son, Petar and Koriolan Cipiko, managed, clearly according to a certain family programme and with strategic marriages, to occupy the whole western side of the main square with their two palaces – opposite the council chamber, the cathedral and the other public buildings – furnishing them with an uncommon number of family coats of arms, clearly with princely pretensions. http://www.portal-trogir.com/about-trogir/must-see/#velika_cipiko