ArtandCulture, Trento

The splendid Teatro Olimpico was Palladio’s greatest urban work, and one of his last. He began the project in 1580, the year of his death at the age of 72; it would be completed 5 years later by his student Vicenzo Scamozzi. It was the first covered theater in Europe, inspired by the theaters of antiquity. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The magnificent bigger-than-life Basilica Palladiana is not a church at all and was only partially designed by Palladio. Beneath it stood a Gothic-style Palazzo della Ragione (Law Courts and Assembly Hall) that Palladio was commissioned to convert to a High Renaissance style befitting a flourishing late- 16th-century city under Venice’s benevolent patronage. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

Situated in Piazza Bra, the amphitheatre of Verona was built in the first half of the 1st century A.D. (between the end of Augustus‘ reign and the beginning of Claudius). http://www.tourism.verona.it/en/enjoy-verona/art-and-culture/monuments-and-sights/arena-roman-amphitheatre

As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed. http://www.turismopadova.it/en/node/18002

The current auditorium of Teatro Grande was designed by architect Luigi Canonica and built in 1810. Girolamo Magnani decorated it in 1862. http://www.bresciatourism.it/en/what-to-do/teatro-grande-brescia/

The Accademia Museum (Gallerie dell'Accademia) is part of a complex including the church of Santa Maria della Carità, the homonymous Scuola Grande (the original entrance is now the main access to the museum) and the Monastery of the Canonici Lateranensi (the complex was in use until the beginning of the XIX century). The gallery take its name from the Accademia delle Belle Arti (Art Accademy) who opened the building and shared the sites until few years ago (2004). The operas preserved inside the Gallery are many and of inestimable value. Most of the painting comes from a period between the XIV and the XVIII century, the most important authors are Carpaccio, Bellini, Tintoretto, Tiziano. Also many sculptures and drawing can be admired, amongst them the vitruvian man by Leonardo da Vinci, exposed only few periods. Initially the museum was operating as didactic and restoration of art operas centre. http://venice-tourism.com/en/places/dorsoduro-district/accademia-gallery-museum

The Fenice Theatre is one of the best known not just in Venice but worldwide. It was designed in 1790 by Giannantonio Selva commissioned by a rich and famous drama company. The building was subject of criticism mainly for the positions (in saint Mark’s area, campo San Fantin) and for its Neoclassic style. During the centuries it has been stage for many world premiere of operas become part oh the history, Gioacchini, Rossini, Verdi and more Donizetti, Bellini, Stawinsky… All of them gave their best creation on the stage of this great theatre. The theatre itself has been spectator of the city life, he known the Serenissima Republic, Napoleon, the Austrian empire, the reign of Italy and the Italian Republic. Actually the theatre hosts an important Operas Season, an International Festival of Contemporary Music and the new year eve concert. http://venice-tourism.com/en/places/san-marco-district/la-fenice-theatre

The Correr Museum offers a real opportunity to know the Art and History of Venice. In the Napoleonic wing that was during the 19th century house of kings and emperors with their impressive neoclassical rooms, we find an important collection of works of one of the greatest sculptors of that time, Antonio Canova (1757-1822). In this museum we can also visit the New Magistrates, "Procuratie Nuove", which were designed between 1552-1616 by the architect Vincenzo Scamozzi and where once the most important civic authorities of the Republic of Venice were housed. In these spacious rooms, currently there are collections that document various aspects of the city's history, such as public institutions, daily life, naval achievements and local festivals. On the second floor is the exhibition of the Art Collection covering the period from the beginning of Venetian painting to the 16th century; also here we can find other incomparable masterpieces. https://www.venice-museum.com/correr-museum-piazza-san-marco.php

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

The Teatro Donizetti covers a total area of 3200 square meters. The hall’s dimensions respect the original 1786 design: it measures 360 square meters and it’s able to seat 532 people. There are 120 boxes, divided into three tiers, totalling 1154 seats. http://www.visitbergamo.net/en/object-details/3019-donizetti-theatre/

Innsbruck's most famous landmark shines in the heart of the historic old town. The splendid alcove balcony gets its name from the 2,657 fire-gilded copper tiles that adorn the roof. The building has reigned over medieval houses and shady arcades for over 500 years. It was built by Emperor Maximilian who very much enjoyed the view: from there he would look down over the colourful hustle and bustle of his city, watch jousting tournaments and be revered from below. The shining golden roof can be seen on entering the historic old town but it is also well worth taking a look up close. The structure below the roof is richly adorned with a wide variety of figures and images, including many curiosities. An exposed backside sticks prominently out from the Golden Roof. Admittedly, it is only a few centimetres in size and it belongs to one of the many figures set below the roof. Why bare facts? This question remains unanswered and is one of the many mysteries that surround the landmark. Maybe the revenge of medieval craftsmen who weren't paid? We can only speculate. The front of the structure is decorated with a man and two wives: Emperor Maximilian is portrayed next to his wife of the time Bianca Maria Sforza. He didn't like her much, however, and that is why his first wife – Maria von Burgund – also looks out from the relief. Another eye-catcher: Small men with twisted limbs. They are morisco dancers, who were effectively the breakdancers of the Middle Ages. The Golden Roof is a must-see for anyone visiting Innsbruck. Come to the historic old town and see for yourself. You can't miss it. In the adjoining museum, you can immerse yourself in the time of Emperor Maximilian. https://www.innsbruck.info/en/sightseeing/sightseeing/historical-buildings/detail/infrastruktur/golden-roof-innsbruck.html

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

Culture and nature promenade across beauty, innovation and Como's treasures. A path through Villa Olmo, Villa del Grumello and Villa Sucota where art initiatives grow. A place to meet and "breathe" culture for citizens and tourists. http://www.visitcomo.eu/en/discover/parks_villas/parks/chilometro_conoscenza/index.html

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

Brera is synonymous with the artistic heart of the city. In fact, as you stroll along the streets of this ancient district, you cannot help but be enchanted by its almost surreal atmosphere boasting small artisan’s workshops or quaint stores selling canvases and paints. Additionally, Brera is home to the impressive Accademia di Belle Arti, where visitors can admire Milan’s famous painting collection at the Pinacoteca (the Brera Picture Gallery), the historic Biblioteca Nazionale Braidense (Braidense National Library) , the Museo Astronomico (The Astronomical Museum), the oldest scientific research institute in the city and the Giardino Botanico (Botanical Gardens), an evocative green space located. https://www.wheremilan.com/sightseeng-brera/welcome-to-brera-district/

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

The new museum, created inside the ancient Ospedale Spagnolo (Spanish Hospital) in the Castello Sforzesco, is a fascinating space that has never opened to the public before and is exclusively dedicated to Michelangelo’s last masterpiece. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/musei/pitturaescultura/Museo_della_Pieta

The Museum Villa Pia in Porza, created by the "Fondazione d'Arte Erich Lindenberg" costituted in 2008 by Mareen Koch, has as mission the conservation and promotion of the German painter Lindenberg (Gronau 1938 - Berlin 2006). http://www.luganoturismo.ch/en/see-do/culture-arts/detail/id/8284/fondazione-lindenberg-villa-pia

The Pinacoteca is located not far from The Due Torri (the Two Towers, symbols of Bologna), inside the former St. Ignatius Jesuit Novitiate, built in the second half of the 15th century house young men who were to join the Society of Jesus (Jesuit Order). Besides the Pinacoteca, the building is also the headquarters of the Accademia delle Belle Arti (Figurative Arts Academy) as well as the Historical Artistic and Ethno-anthropological Heritage Authority http://www.bolognawelcome.com/en/home/discover/places/culture-and-history/museums-and-art-galleries/pinacoteca-nazionale-di-bologna-national-gallery

It seems that in the first half of the 15th century the Visconti stayed "in the countryside", a step away from the current Marche metro stop in Milan, in Villa Mirabello. At the time, however, the building we are talking about was called Cascina Mirabello, and it can be found in the documents of 1468 that recognized it as the property of this Pigello Portinari. The Florentine nobleman dear to Prince Sforza, general manager of the annuities of the Milanese duchy and representative of the Florentine House of the Medici in Milan, was also the promoter of the construction of the Portinari Chapel in Sant'Eustorgio. Towards the end of the 15th century, the villa changed hands, becoming the property of the noble Landriani. Antonio Landriani, awarded by Francesco Sforza as mayor of Milan in 1456, then appointed prefect of the ducal treasury by Galeazzo Maria Sforza, later president of the Mint of Milan by the appointment of Gian Galeazzo Sforza, then became a trusted man and adviser politician of Ludovico il Moro. Ludovico himself was a guest of the Landriani in Villa Mirabello on February 4, 1500. A few years later the villa became one of the houses of the order of the Humiliati, of which Gerolamo Landriani was general. The Landriani family remained the owner of Villa Mirabello for some tens of years, enough to leave traces still visible today in the form of coats of arms that stand out on the fireplace of the main hall and on the ceilings, together with the motto "always el duty ”frescoed on the walls of the villa next to pomegranate figures and blue crosses. It seems that the villa then passed from Landriani to Marino, a rich family of Genoese origin whose member Tommaso entrusted Galeazzo Alessi with nothing less than the construction of Palazzo Marino in Piazza Della Scala. The history of the villa, in the following years, is rather confused, but it is known that it later became the property of the Serbelloni family and that, starting from the mid-1500s, it faced a sad decline: the building was reduced exclusively to uses agricultural and over the next three centuries it became increasingly dilapidated, until Luca Beltrami, in 1891, considered it by re-evaluating it as an illustrious example of Lombard architectural art. https://www.fondazionevillamirabello.it/

Dedicated to the ones interested in the history of Santa Maria del Monte, it includes and shows romanesque sculptures, precious miniatures, a collection of important paintings of Giuseppe Baroffio Dall’Aglio and a section of sacred art from the 20th century. You'll find 20th-century bright rooms but also hidden old rooms situated under the Sanctuary, with remains of fifteenth-century frescos. The museum includes also a beautiful terrace with one of the most beautiful views in Lombardia. The Madonna con il Bambino by Domenico and Lanfranco from Ligurno is the symbol painting of the museum. http://www.vareseturismo.it/en/blog/museo-baroffio-e-del-santuario-del-sacro-monte-sopra-varese

This striking building from the time of the Austro-Hungarian Monarchy is one of the few examples for ring road architecture outside the city of Vienna. A twin building of the post office is found in the imperial spa town of Bad Ischl. Today, the post office includes an exhibition by star Swiss architect Peter Zumthor. https://www.bregenz.travel/en/tourism/experience/tourist-attractions/architecture-in-bregenz/bregenz-post-office/

The State Theatre in Bregenz plays a significant role in the cultural happenings of Vorarlberg’s state capital. The repertoire ranges from classics to debut performances. The theatre, as a place of imagination, stories and emotions, focuses consciously on traditional and contemporary theatre art, thus finding its recognition in the cultural landscape of the Lake Constance region. https://www.bregenz.travel/en/tourism/culture/vorarlberg-state-theater/

Located between the lake and the city centre, in direct proximity to the Art House and the State Theatre, the architectural masterpiece of the new vorarlberg museum forms the end of the culture boulevard.The main point of attraction is the more than 150,000 artefacts from art, history, folklore and archaeology that deal with the history and present of Austria’s westernmost federal state from a wide range of perspectives. Inspired by Terra Sigillata vessels, Roman ceramics from the museum collection, the artists used the base of commercial PET bottles as the shape and equipped the outer wall of the museum with a structure that seems random at first glance but that, in reality, was calculated in a complex mathematical process. Seen from the lake, the historicism facade of the former district commission structures the building. The most noticeable feature is the huge panoramic window on the top floor, which provides a fantastic view of Lake Constance and the Lindau bank, where the guest, stirred by the many impressions, experiences a moment of tranquillity and contemplation. https://www.bregenz.travel/en/tourism/culture/vorarlberger-museum/

The Art House stands in the light of Lake Constance. Its structure is built from glass plates, steel and a stone mass of cast concrete that forms structure and space in the interior of the building. Viewed from outside, the building gives the impression of an illuminant. It absorbs the changing light of the sky and the haze light of the lake, radiates light and colour back and gives an idea of something of its inner life, depending on the angle, the time of day and the weather. https://www.bregenz.travel/en/tourism/culture/kunsthaus-bregenz/

Each summer, in the middle of an enchanting landscape in the westernmost Austrian federal state of Vorarlberg, the Bregenz Festival presents high-calibre opera al fresco with the theatre on the lake. In addition, the festival attracts approximately 200,000 visitors to the border triangle between the Alps and Lake Constance with unforgettable debut opera performances and concertante treasures in the Festival House, unheard material as part of “Kunst aus der Zeit” at the studio theatre, as well as touching gems of operatic literature at the Theater am Kornmarkt in the months of July and August, with more than 80 performances in total. https://www.bregenz.travel/en/tourism/culture/bregenz-festival/

The Archaeological Park (APC) in Kempten invites you on a journey of discovery to the oldest city in Germany mentioned in writing. Temple district, small thermal baths, forum with basilica - a large part of the former Roman provincial capital is still recognizable thanks to unique archaeological finds on the high bank of the Iller in Kempten. From the veneration of pagan gods to ancient architecture to bath culture in the Roman Empire, the accompanying exhibition provides an exciting insight into everyday life two millennia ago. https://www.kempten.de/archaologischer-park-cambodunum-2051.html

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

The property with its ancient park because of its architectural importance and its artistic heritage, it is under the Royal Law Decree of June 1939 and it belongs today to the Società Semplice Castello d’Uviglie. http://www.castellodiuviglie.com/il-castello.php?&ln=en

It may seem strange entitle a museum to a stone, but a visit to the Ecomuseo della Pietra da Cantoni clarifies why this unique material is so important to the Monferrato’s culture. http://www.monferratodelights.com/blog/ecomuseum-pietra-da-cantoni/

The late Baroque Asam Church is located on Sendlingerstraße just a few minutes’ walk away from the Sendlinger Tor (Sendling Gate). It was erected between 1733 and 1746 by the Asam brothers and bears the official name of St. Johann Nepomuk. Originally planned as a private church for the builder, its Baroque facade is integrated into the row of houses on Sendlingerstraße. Two massive rocks arise from the base of the columns at the entrance. The luxuriously furnished interior breaks from Baroque convention with its proportional distribution. https://www.muenchen.de/int/en/sights/churches/asam-church.html